An institution, an occasion and if nothing else – a reason to visit the capital city each and every year - Chelsea Flower Show is a spectacle built on tradition. In honour of the 2026 Chelsea Flower Show – Thirteen and Chateau Denmark have come together to present a limited Champagne cocktail line titled ‘Reigning Indulgence’ in partnership with Veuve Clicquot.

Over a hundred years old, it was once known as the Great Spring Show and originally founded in 1912. In later years the gardens themselves have become a vehicle for creative expression – serving social and cultural nuances and discussions as the backdrop to art seen through a horticultural lens. As May's show is readying for a bell sound, we thought we'd share some of the key names and sights to behold at this year’s show.

Creating his first ever garden for Chelsea Flower Show, Charlie Chase has been working at this for over a year. A collaboration between Chase’s studio Chase Gardens and YoungMinds – a charity for young people struggling with mental health. When speaking to House & Garden, Chase explained the concept behind the garden “You can’t help what happens to you, but you can grow around it”. A lesson he learnt after losing his mother – Charlie’s pointed to Dan Bristow and Patrick Featherstone as key influences in his career.

The Gnomes’ triumphant return to Chelsea Flower Show has been well documented, coming courtesy of royal pardon by the King himself. In celebration the Royal Horticultural Society are inviting talent of stage and screen to have their way with the gnomes – artistically speaking, where they will then be auctioned off to raise funds for the next generation of gardeners.

Trustee for the National Garden Scheme, Arit Anderson will be presenting ‘A Garden for Every Parkinson’s Journey’ for Parkinson’s UK. This promises to be a reflection of the treatment for so many with Parkinson’s – simply put, time spent in gardens. Speaking to Saga, Anderson stated, “this isn’t about the doom and gloom of Parkinson’s, but about how gardening can help as the condition progresses.” Going on to say, “Getting my own garden gave me this interplay with nature, and the realisation that the more you nurture it, the more it nurtures you.”

The Tate Britain Garden marks the first time the institution will present how garden can be defined as a model for how art, nature and public space can intersect. At the centre of this is ‘Bicentric Form’ a sculpture by Barbara Hepworth, made from limestone and originally housed in the Tate back in 1950. The garden itself is designed for movement, rest and reflection – with Hepworth’s piece acting as the grounding agent that brings it all together. The garden itself is designed by Tom Stuart-Smith and as FAD magazine stated, “the garden draws on Victor Pasmore’s The Green Earth (1979–80), translating its abstract language into planting, pathways and form. A gently curving route cuts through biodiverse planting, while a narrow golden water channel introduces sound and movement — a subtle counterpoint to the stillness of Hepworth’s sculpture”. Stuart-Smith also commented to FAD, “It is exciting to be able to make a garden… incorporating such a significant work by one of this country’s most remarkable artists… I think she would approve.”

The ‘Reigning Indulgence’ menu is in partnership with Veuve Clicquot is available from 11th-23rd May, you can view the limited edition menu here.
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What happens in Thirteen never stays in Thirteen

A club where cocktails wrap around Japanese small plates like a killer hook – Thirteen is where live performances meet the slickest DJs. Thirteen and Chateau Denmark are the producers, creators and promoters of a laundry list of happenings here on Denmark Street. From all day festival ‘Denmark Street Sessions’ with over 20 live performances, to our trademark twisted side show meets cabaret night ‘Rowdy’, and the late night bash where live meets recorded – ‘Hellraising’.

Continue reading https://chateaudenmark.com/journal/what-happens-in-thirteen-never-stays-in-thirteen
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